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           Ceramic inkwells come in a variety of shapes but mostly have rounded
           bodies. Metal inkwells are mainly cylindrical, rarely hexagonal. The
           lid is often what defines a Roman inkwell and without it they can
           be virtually indistinguishable from other vessels. An inkwell lid is
           usually flat with a small circular opening in the centre which could
           be closed with a stopper-lid in various ways. Ceramic inkwells may
           have had stopper-lids made of perishable materials such as cork.

           Typically, metal inkwells from the 1st and 2nd century have loop
           handles attached to their side that were probably used to hold the
           objects or to attach other writing equipment to them. Until the
           end of the 1st century CE, metal double inkwells were used as well,
           providing red ink for titles and headings and black ink for the bulk
           of the text (Eckardt 2018, 70–76).
 Fig. 46: Ceramic inkwell from Aquileia (Italy) with section
           While ceramic inkwells are usually plain, metal inkwells can be
 showing the typical flat lid, and with an ante cocturam maker’s
           intricately decorated with silver and gold inlays, sometimes with
 inscription reading A(ulus) Quintius Sp(urii) f(ilius) Plebeius
 fecit (‘Aulus Quintius Plebeius, son of Spurius, made this’),
 1st century CE. Redrawn by A. Willi after Gomezel 1994.


 Inkwells were used throughout the Roman period but are rarely
 found after the 4th century. They were predominantly made of
 ceramics and of metal, mainly copper-alloy. Inkwells made of glass
 are rare and their identification is controversial (Eckardt 2018, 57).
 Examples of different materials and design have also been found
 including lead, silver and alabaster examples (Božič and Feugère
 2004, 35). The two most recognisable types of metal inkwells,
 Biebrich and Noll types, date to the 1st century CE and the use of
 Samian inkwells peaked in the same century.
 Metal inkwells seem to have been mostly cast and then lathe-
 finished, but some were shaped over a mould. No production
 centres are known for certain, but it has been suggested that they
 were mainly made in Italy or in Gallia Belgica and the Rhine area.   Fig. 47: Metal inkwell, type Noll, with intricate gold and silver
 Samian inkwells were produced for example at La Graufesenque   decoration from Vaison (France), 1st/2nd century CE. Louvre,
 (France), where they are listed in the potters’ accounts (Marichal   inv. BJ1950. © Chatsam, Wikicommons, CC-BY-SA-3.0.
 1988, e.g. no. 17 line 14). They are uncoated on the inside.
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